I looked
around for another glass of fizzy wine and realised someone was watching me. He
was a young Chinese guy with a mop of unruly black hair, a beard that looked like a goatee that had got seriously out of hand, black square-framed glasses
and a good-quality cream-coloured suit cut baggy and deliberately rumpled. Once
he saw he had my attention he slouched over and introduced himself.
‘My
name is Robert Su.’ He spoke English with a Canadian accent. ‘I’d like, if I
may, to introduce you to my employer.’ He gestured to an elderly Chinese woman
in what was either a very expensive dove-grey Alex and Grace suit or the kind
of counterfeit that is so well done that the difference becomes entirely
metaphysical.
‘Peter
Grant,’ I said and shook his hand.
He
led me over to the woman who despite her white hair and a stooped posture had a
smooth unwrinkled face and startlingly green eyes.
‘May
I introduce my employer Madame Teng,’ said Robert. (...)
‘The Nightingale
is his master,’ said a voice behind me.
I
turned to find a stocky black woman in a strapless red dress cut low enough to show off broad muscled shoulders and cut high enough to reveal legs that could do an Olympic-time hundred metres without taking off the high heels. Her hair
was shaved down to a fuzz and she had a wide mouth, flat nose and her mother’s
eyes.
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